That Drifting Excrement Was Far Too Meaningful! These Are the Television Letdowns of the Year.

Looking back, we reflect on the TV offerings of the past year, a handful of series stand out not for their excellence, but for their notable failures. Ranging from awkward sequels to confusingly bad docuseries, here are the productions that had us scratching our heads or simply reaching for the remote.

And Just Like That

How to start with this love/hate spin-off? Plagued with woeful scripts, painful character development (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series fought to find its footing. For a moment, as the third series began, it looked like it had at last hit its stride. Then arrived an episode centered on Seema’s natural deodorant. Little surprise the creator declared this would be the final season. It concluded on a low point; the closeup of Miranda’s toilet full of poo was simply too on-the-nose. Still, fans certainly found joy dissecting every single “what on earth?” moment. And as Carrie – once again single – twirled around her sprawling townhouse to Barry White, who couldn't let out a little sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was practically the least of this drama's issues. The recipient of a exceedingly uncommon zero star assessment, it was hard to know where to start listing the problems. The hilariously wooden writing? The tedious veneration of wealth and consumption? The seemingly deliberate procession of cliches? Performances so poor they felt borderline spiteful? Let’s just say “all of the above” and forget about this show again. However, a new season has been commissioned, so we’re probably going to have to.

AKA Charlie Sheen

Given the legal troubles, domestic violence allegations and fatherly failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d really have known it from this multi-part docuseries which smirked its way at Sheen’s various episodes of reckless hedonism while struggling to tell us a single thing we didn’t already know. Rather, it felt as if this volatile personality was being pandered to, so any sympathy this show might induce should be reserved for the people who have had to endure close contact with this charismatic but flippant egotist.

The Iris Affair

Of course we understood it was ridiculous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We stuck with it out of sheer admiration for its leads … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. Talk about giving up the ghost.

MobLand

Shady characters convening in deserted boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t endure the ignominy of having to accommodate unconvincing dialects. But there were plenty of other issues. Primarily that it was just really dull; a dispute over drug-selling territory between various London rogues which seemed a bit basic.

With Love, Meghan

Given the extent to which she provokes the ire of certain performatively angry commentators, it’s temptingly easy to applaud the Duchess of Sussex’s various ventures into twee lifestyle as deliberate statements. But then you watch them and are forced to concede that actually, they may have a point. It’s like watching a lifestyle magazine come to life; a poster for wine o’clock with delusions of grandeur; a procession of snoozing dogs, buzzing beehives, sentimental sayings and pointless crafting “hacks” you’ll forget instantly. All underpinned by immense, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be said about both Victoria Beckham and her struggles with career, self-image, self-acceptance. But for some reason, this three-part series opted not to say them. Instead, the viewing was like reading a sales brochure. She clearly has good reason to bridle at what she describes as her “miserable cow” image. But unfortunately, she didn’t do herself any favours with this cagey letdown of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even camper, with a famous star playing dead and a well-known personality managing her inheritance. What more could you ask for? As players battled it out, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s even now too confusing to explain what precisely was happening. Even more regrettably, we only saw brief appearances of the star via prerecorded videos. The show ended up smelling of a programme that was trying way too hard to emulate something far greater than it.

Too Much

How do you follow a show that captured a generation? The expectation was enormous for this starry romcom about Jessica, a hopeful New Yorker who arrives in London with a shattered romance. The star seized the opportunity by the horns and was a delight to watch, reveling in Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was not enough. Plus, the abundance of celebrity cameos involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not good enough to be ‘uneven’.

Given the shrewd inclusion of talented younger comics, hopes were high. But sadly, most of it fell flat. A recurring sketch was a one-note joke stretched to a dry pulp but recurring in every episode. One star seemed too willing to slip into a familiar irate mode. The writing room sketches, meanwhile, simply provoked the idea that they should probably have stayed in there a while longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this was not it. The material needed to be handled with care. Instead, the series laboured awkwardly to find the right tone, lurching from strangely breezy, somewhat mannered farce to inevitably, real-life horror. Twisted? Perhaps. A total mess? Absolutely.

The Maths Genius Thriller

We love the star … but did we believe him playing the greatest maths genius in history, a man so intelligent he’s on the verge of a breakthrough that could destabilise society? No! This globe-trotting thriller about government agencies targeting – and eliminating – academics honestly got more farcical by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the content creator notorious for explicit escapades as she prepared for her biggest feat yet. What on earth would possess her? What we wanted was far greater examination of her true psychology, plus those of the men in the queue. They could at least have spoken to the now-famous mum who appeared to drag her son out of the queue. What we got was horrific imagery and absolutely no critical analysis of her notoriety whatsoever. It's staggering to consider, the filmmaker has a young daughter too.

Amber York
Amber York

A seasoned UK-based journalist with over a decade of experience covering lifestyle and cultural trends across Britain.